Keywords: Right To Choose
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Ellena Savage
- 10 June 2016
13 Comments
When my friend and I get to the payment station of the car park, it says we owe 70 bucks, which can't be right because we got the early bird special which was a quarter of that, so, nah. We call the parking lot people and they say look at the fine print, it clearly states that the early bird deal only applies if you leave the car park after 3pm. Wilson Parking is a subsidiary of a subcontractor of Transfield Services, which runs security at Nauru and Manus Island. I grow petulant and say I'll wait til 3pm.
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ARTS AND CULTURE
- Ellena Savage
- 16 May 2016
2 Comments
When my alarm goes off in the morning I reach for my phone: check mail, check ABC, check Twitter. Get up, make filter coffee, pour one. Open my diary and spreadsheet, start working. Pour my second coffee. Eat something, clock calories in. Go for a walk, pick up whatever groceries, clock calories out. Back to work. If whatever I am working on isn't very interesting, this accounting for a day, after day, after day, is fairly sad. But it's also just living a life in 2016.
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ARTS AND CULTURE
- Tim Kroenert
- 21 April 2016
3 Comments
Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
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AUSTRALIA
- Justin Glyn
- 11 April 2016
10 Comments
We got a lesson in the art of language from the Minister of Immigration, Peter Dutton, whose redefinition of the word 'detention' was reminiscent of Humpty Dumpty's remark in Alice Through the Looking Glass: 'When I use a word it means just what I choose it to mean, neither more nor less.' We are social creatures who make real decisions based on the representations of others. Once we know we cannot expect the truth from each other, especially those who govern, society can no longer function.
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INTERNATIONAL
- Catherine Marshall
- 04 April 2016
2 Comments
When suicide bombers struck Brussels, I was travelling far from home, in southern Italy. The news evoked in me a sense of vulnerability, for within days I would board a series of flights from Reggio Calabria to Rome to Abu Dhabi and then Sydney. For a moment, it seemed the terrorists had achieved what they set out to do: spread fear and distrust far beyond the site of their attacks, across countries and continents and oceans so that eventually the whole world would be infected.
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AUSTRALIA
- Moira Rayner
- 22 March 2016
18 Comments
When I received my invitation to 'lead' the Palm Sunday Walk for Refugees my first response was to ignore it. This was partly ego and partly disillusionment. It's true that in Melbourne at least 6000 people walked or struggled or strode along Spencer Street. But I no longer believe marches for huge national issues have any effect on local powerbrokers. I believe as Saul Alinsky said that the most powerful force for change is local activism on local issues and generational organisation from the grass roots up.
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ENVIRONMENT
- Greg Foyster
- 11 March 2016
3 Comments
The best known examples of framing come from American cognitive linguist George Lakoff. He argues that George W. Bush replaced the phrase 'tax cuts' with 'tax relief' to reframe paying tax as an affliction. Embedded in those two words is a neo-conservative worldview against government intervention in the private sphere. If you accept the term, you absorb the worldview. In a similar way, a few words could build political will to tackle climate change. The problem is no one is sure what they are.
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ARTS AND CULTURE
- Tim Kroenert
- 10 March 2016
6 Comments
When questioned about diversity in his films recently, Joel Coen replied: 'You don't sit down and say, "I'm going to write a story that involves four black people, three Jews, and a dog".' The answer is disingenuous at best. Filmmakers choose what stories to tell and how; with a few exceptions, the Coens tell stories about white men. Just as Quentin Tarantino ought to continue discussing the role violence and misogyny play in his films, the Coens should engage meaningfully with questions of diversity.
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